So what happens when we discard the idea of perfection?
This piece is (ahem) a perfect example. It began is imperfect as a piece can be - the very board itself is a piece of salvaged lumber, discarded at a metal shop. It was already painted (light teal exterior paint), scraped, grooved and rough. By starting with something discarded and hugely distressed, each layer I added to it just made it better. None of the angst of beginning with a pure, white canvas and judging each subsequent mark and brushstroke.
There was NO WAY this painting could ever be pristine and perfect. I embraced its rough imperfection by adding even more texture (dimensional grounds) and using a spackle knife to carve back into the layers of paint. And it got better and better. It is now the best that it can be. Which isn't perfect at all. But it makes me smile every time I walk past and get a glimpse of it on the easel. Now, if I can just look at each day this way - rough and discarded, ready to be improved and made better, not made perfect. Hmmmmm.
Jen Walls and her imaJENation