"Deconstructed Dreamscape" - mixed media on watercolor paper, 22 x 30. Inquiries: email@example.com
My love affair with chalky abstracts continues...this one is my largest yet! Layers upon layers. It was a chameleon, changing its colors, composition and meaning with each layer, following the path of twisting dreams.
Last week, I was reminded again of the deeply satisfying energy of tribe. A workshop of creative souls, willing to cast their cares into the wind and explore new approaches to letting the art chickens out of the hen house. The laughter and camaraderie surrounded us like fluffy mounds of cotton candy, Sweet sticky goodness. The transformative miracle of creative play. If you've never seen a tribe of art chickens, you are living a deprived existence. :)
It takes a lot of personal energy to teach a workshop, leaving me truly exhausted and craving pajamas and tea. But it also refills my bucket of inspiration and joy - the incredible creativity of others, the heart-felt stories of their artistic journeys, their courage...I am in awe. It leaves me more determined than ever to hold these moments in sweet reverence, building a treasure chest of joy pockets. And to cherish each and every tribal connection these moments provide.
Almost half way through Clear Seeing Place, I reached the chapter called "Tyzack" (referring to the British painter, Michael Tyzack, Rutenberg's mentor). Another short one, but it hits home "Take care how you address fellow painters, regardless of their age or resume." Rutenberg is clear that there is no room for being "dicks" to other artists. Respect, good manners and dignity for all, "because painting deserves our best selves." How wonderful, to hear an artist of his stature advocating for niceness within our tribes! I'll make this one my golden rule: "The best artists are also the nicest."
Jen Walls and her imaJENation